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Participation: 80%-99%
Unique Accidentals: 2
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counterpoint
Op. 27 - Double Canon
Bradley de Lucia
2:47 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 3 5 74%
Treble 15 0 2 5 95%
Bass 15 0 2 5 97%
18 0 3 5 77%
 
Little piece for harpsichord
sharaEZ
0:36 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Клавесин Treble 16 0 2 5 91%
Bass 7 0 0 3 47%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Клавесин Treble 16 0 2 5 91%
Bass 7 0 0 3 47%
 
T.L. de Victoria: Aestimatus sum
BSG
1:53 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
Bass
2		 Bass 10 0 2 6 76%
Tenor
1		 Treble 10 0 1 6 64%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix
BSG
2:51 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pan
Flute		 Treble 17 26 4 5 100%
Violoncello Bass 20 0 4 5 100%
Soprano Treble 13 0 2 10 95%
Treble 13 0 2 10 93%
 
T.L de Victoria: Eram quasi agnus
BSG
2:19 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 98%
Soprano Treble 14 0 4 6 98%
Tenor Treble 10 0 2 6 94%
Baritone Bass 12 0 3 6 59%
 
Counter Point to Niji To Taiyou no Oka, "A Hill with a Rainbox and Sun".
Threespot@aol.com
4:10 Est. Play
Time
119 Measures
1,628Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet,
Clarinet		 Treble 19 0 7 9 87%
Winds,
Bright
Flute		 Treble 33 0 7 13 85%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet,
Clarinet		 Treble 19 0 7 9 87%
Winds,
Bright
Flute		 Treble 33 0 7 13 85%
Oboe Treble 17 0 4 9 85%
Viola 22 0 3 11 83%
Violoncello Bass 18 0 2 9 82%
Erhu,
Fiddle		 Treble 17 0 2 8 80%
Contrabass Bass 18 0 2 9 79%
Piccolo
Trumpet		 Treble 29 0 16 8 60%
Horn
in
F		 Treble 31 0 17 8 54%
B♭
Clarinet,
Clarinet
Bright		 Treble 18 0 3 9 30%